While it might have been cheeky to have a George Nelson chandelier in Mike Nelson's house, the familiar flying saucer shape didn't quite fit our hardware store modernist home. Lighting experts Marie and Robert Shakespeare suggested we speak with Jiangmei Wu, a colleague of Marie's in the IU Department of Apparel Merchandising and Interior Design.
Coincidentally, Mike, Jiangmei, and I all worked together for Instructional Support Services at IU back in the oughts, and we agreed she would be the perfect person to design a piece for our dining space.
We bring you The Wu (actually titled "Anemoi").
The chandelier is made of kozo, Japanese mulberry paper (often used in shoji screens), precisely cut, assembled with bookbinding glue and small plastic snaps, and attached to a lightweight metal frame. You can see Jiangmei's other work at foldedlightart.com.
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| Jiangmei visiting the house to get a sense of scale for the chandelier. |
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| It was cold. |
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| Jiangmei's workshop |
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| One of several pieces we reviewed while discussing the form our chandelier would take. |
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| Wu arrives with the Wu. |
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| Laura carries the Wu. |
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| Somehow, Sam and Dave figured out how to hang the Wu. You can see the winch on the catwalk that lowers the Wu to table height, and raises it out of the way if we use the dining room as an open space. |
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| The power cord wraps around clothesline, which reaches the winch through a series of pulleys. |
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| The marine winch is rated for 175 pounds; overkill for a paper chandelier, but it has the size and look we wanted. |
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